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I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.

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Collective Know Liberation Movement Say Speak Thought

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
ADRIENNE RICH

Collective Consciousness Need Solution Support Value Withdrawal
A language is a map of our failures.
ADRIENNE RICH

Failure Language Map
My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
ADRIENNE RICH

Age Cast Destroyed Extraordinary Heart Lot Moved perversely Power Reconstitute Save World
The moment when a feeling enters the body/ is political. This touch is political
ADRIENNE RICH

Body Feeling Political Touch
Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.
ADRIENNE RICH

Biography Censored Collection Image Letter Lying Memories Omitted Undepiched Unnamed
I’d call it love if love didn’t take so many years but lust too is a jewel.
ADRIENNE RICH

Call Jewels Love Sex Tale Year
In a world where language and naming are power, silence is oppression, is violence.
ADRIENNE RICH

Language Naming Oppression Power Silence Violence World
A huge breast, an avid cave; between her legs snakes, swamp-grass, or teeth; on her lap a helpless infant or a martyred son. She exists for one purpose: to bear and nourish the son.
ADRIENNE RICH

Avid Breast Cave Exist Grass Helpless Huge Leg Martyred Purpose Snake Son Swamp Teeth
Poems are like dreams: in them you put what you don’t know you know.
ADRIENNE RICH

Dream Know Like Poem Put
The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
ADRIENNE RICH

Androcentric Dependent Foundation Leave Marginal Solipsistic Thinking Tunnel Variable Vision
Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICH

Breath Colon Double Indication Metrically Musical Notation Pause Slash Sound Space Urgency
the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
ADRIENNE RICH

Art Artist Channel Clogged Concern Merely Misdirected Song Struggle Temporary
he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
ADRIENNE RICH

Death Depth Female Menses Monster Moon Ocean Ride Sailor Themselves Tide
The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
ADRIENNE RICH

Cub Dead Herding Long Nineteen Omen Survive Twilight Vixen
Women’s art, though created in solitude, wells up out of community.
ADRIENNE RICH

Art Community Creative Energy Enormous Hunger Solitude Women Work
When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
ADRIENNE RICH

Authority Describe Disequilibrium Individual Strength Mirror Physic Teacher World

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