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As her sons have seen her: the mother in patriarchy: controlling, erotic, castrating, heart-suffering, guilt-ridden, and guilt-provoking; a marble brow.

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To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
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Culture Demanding Integrity Politics Power Question Respect Validated Women
It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
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Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.
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Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.
ADRIENNE RICH

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In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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The words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
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I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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