To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
ADRIENNE RICHThere’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
More Adrienne Rich Quotes
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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Art and literature have given so many people the relief of feeling connected – pulled us out of isolation. It has let us know that somebody else breathed and dreamed and had sex and loved and raged and knew loneliness the way we do.
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There must be those among whom we can sit down and weep, and still be counted as warriors. (I make up this strange, angry packet for you, threaded with love.) I think you thought there was no such place for you, and perhaps there was none then.
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A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
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To do something very common, in my own way.
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Since we’re not young, weeks have to do time for years of missing each other.Yet only this odd warp in time tells me we’re not young.
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To work and suffer is to be at home. All else is scenery.
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Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
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The most important thing a woman can do for another is to illuminate her actual possibilities.
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One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else.
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What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
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he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
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The more I live, the more I think, two people together is a miracle.
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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
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The unconscious wants truth. It ceases to speak to those who want something else more than truth.
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When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
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It is important to do this because we can count on so few people to go that hard way with us.
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What we see, we see and seeing is changing
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A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
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Grief held back from the lips wears at the heart; the drop that refused to join the river dried up in the dust.
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Freud rediscovered the underworld of consciousness that European rationalism had denied. But when you have a nation of people in therapy and counselling.
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I’d call it love if love didn’t take so many years but lust too is a jewel.
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I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
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Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
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The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
ADRIENNE RICH