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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder

Adrienne Rich

I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
ADRIENNE RICH

Alone Book Both Certainly Conscious Library Mean Page Person Poem Poet Voice Writing
There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
ADRIENNE RICH

Country Incomprehension Institution Male Political Power Real Speaking
It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
ADRIENNE RICH

Art Come Committed Desire Economic Enormous Institution Poetry Require Social
We might possess every technological resource… but if our language is inadequate, our vision remains formless.
ADRIENNE RICH

formless Inadequate Language Posses Remain Resource Romance Running Technological Thinking
The will to change begins in the body, not in the mind.
ADRIENNE RICH

Begin Body Change Mind Will
Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
ADRIENNE RICH

Accuracy Arpeggioor Breaking Chance Daring Down Faulting Fugue Leap Practising Sentence Strnghland Transcendence
The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
ADRIENNE RICH

Casual Daily Danger Flow Forgetting Generation Grandchildren Jogged Life Lying Memories Storytelling Trick
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
ADRIENNE RICH

Art Blazed Detachment Glorify Love Spraypaint Torture Typed Wall Year
To work and suffer is to be at home. All else is scenery.
ADRIENNE RICH

Home Scenery Suffer Suffering
The words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
ADRIENNE RICH

Damage Done Map Prevail Purpose Treasure Word
The materials are here for the deepest mutuality and the most painful estrangement.
ADRIENNE RICH

Deepest Estrangement Material Most Mutuality Painful
I don’t trust them but I’m learning to use them.
ADRIENNE RICH

Don't Learning Trust Use
I’d call it love if love didn’t take so many years but lust too is a jewel.
ADRIENNE RICH

Call Jewels Love Sex Tale Year
Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
ADRIENNE RICH

Attempt Correspond Dangerously Daughter Mother Personalities Personality
the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
ADRIENNE RICH

Art Artist Channel Clogged Concern Merely Misdirected Song Struggle Temporary
Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
ADRIENNE RICH

Beauty Invisible Made Outlawed Possible Remind Represented Seem Separation Show
A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
ADRIENNE RICH

Between Bodies Inside Knowledge Month Preverbal Subliminal Subversive
Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience.
ADRIENNE RICH

Centuries Culture Driven Experience Gaslight Instinct Mad Male Mind Reality Refutation Women
In a world where language and naming are power, silence is oppression, is violence.
ADRIENNE RICH

Language Naming Oppression Power Silence Violence World
Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
ADRIENNE RICH

Feeling Guileless Intolerance Myself Selfishness Sometimes
If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
ADRIENNE RICH

Again Delta Direction Flow Grasp One River Springing Story Thinking
When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
ADRIENNE RICH

Authority Describe Disequilibrium Individual Strength Mirror Physic Teacher World
The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
ADRIENNE RICH

False Glamour Longer Mistrust Performance Poverty Theatricality Transcendental
There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
ADRIENNE RICH

Art Assume Blood Falsely Force Inspiration Possession Question Relation Song Supernatural Universal
One does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
ADRIENNE RICH

Birth Code Cultural Giving Law Professional Religious
Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
ADRIENNE RICH

Attempt Liar Lying Ought Simpler Usually
We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
ADRIENNE RICH

Consciousness Grandmother Market Ourselves Toughness Unacceptable Women

When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder

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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder

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