We can count on so few people to go that hard way with us.
ADRIENNE RICHI define “politics” as the on-going collective struggle for liberation and for the power to create – not only works of art, but also just and nonviolent social institutions.
More Adrienne Rich Quotes
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Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.
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No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.
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To become a token woman – whether you win the Nobel Prize or merely get tenure at the cost of denying your sisters – is to become something less than a man.
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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I choose to love this time for once with all my intelligence -from “Splittings
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if we are unaware that women even have a history–we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.
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I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.
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This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
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Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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As her sons have seen her: the mother in patriarchy: controlling, erotic, castrating, heart-suffering, guilt-ridden, and guilt-provoking; a marble brow.
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We see daily that our lives are terrible and little, without continuity, buyable and salable at any moment, mere blips on a screen, that this is the way we live now. Memory marketed as nostalgia; terror reduced to mere suspense, to melodrama.
ADRIENNE RICH