Any woman’s death diminishes me.
ADRIENNE RICHMothers and daughters have always exchanged with each other – beyond the verbally transmitted lore of female survival.
More Adrienne Rich Quotes
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To do something very common, in my own way.
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But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
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I am a woman in the prime of my life, with certain powers and those powers severely limited by authorities whose faces I rarely see.
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War is an absolute failure of imagination, scientific and political.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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It’s exhilarating to be alive in a time of awakening consciousness; it can also be confusing, disorienting, and painful.
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The mind’s passion is all for singling out. Obscurity has another tale to tell.
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The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
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Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity.
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
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An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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No woman is really an insider in the institutions fathered by masculine consciousness. When we allow ourselves to believe we are.
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Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
ADRIENNE RICH