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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude

Adrienne Rich

There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
ADRIENNE RICH

Artist Boundaries Bursting Channel Choiceless Creative Enormous Hunger Merely System Working
The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
ADRIENNE RICH

Children Day Inspiring Mother Strike Tied Unionize Worker
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH

Century Coming Country Culture Different Discerned Poetic Role Social Together Voice
I came to explore the wreck.
ADRIENNE RICH

Came Explore Wreck
Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
ADRIENNE RICH

Able Anger Except Inward Nail Rusted Touch Women
I wanted him [my father] to cherish and approve of me, not as he had when I was a child, but as the woman I was, who had her own mind and had made her own choices.
ADRIENNE RICH

Approve Cherish Children Choice Father Made Mind Wanted
No woman is really an insider in the institutions fathered by masculine consciousness. When we allow ourselves to believe we are.
ADRIENNE RICH

Believe Consciousness Fathered Insider Inspiring Institution Masculine Really War Woman
The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
ADRIENNE RICH

False Glamour Longer Mistrust Performance Poverty Theatricality Transcendental
We have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
ADRIENNE RICH

Chosen Enter Envying Freedom Herself Identifies Imagine Room Think
Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICH

Breath Colon Double Indication Metrically Musical Notation Pause Slash Sound Space Urgency
A president cannot meaningfully honor certain token artists while the people at large are so dishonored.’”
ADRIENNE RICH

Artist Dishonoured Honor Legal People President
The revolution of a wheel which returns in the end to the same place; the revolving door of a politics which has liberated women only to use them, and only within the limits of male tolerance.
ADRIENNE RICH

Door Limit Male Politics Return Revolution Same Tolerance
I began to feel heard in that movement. But it was because my voice was resonating with other voices.
ADRIENNE RICH

Began Feel Heard Movement Resonating Voice
TV has created a kind of false collectivity.
ADRIENNE RICH

Collectively Created False Kind Television
Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
ADRIENNE RICH

Becoming Being Breast Cease Fear Feminism Human Male Man Mother Provide Son Women
War is an absolute failure of imagination, scientific and political.
ADRIENNE RICH

Absolute Country Failure Imagination People Political Scientific War

The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude

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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude

Related Topics

Popular Authors

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