I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICHThe words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
More Adrienne Rich Quotes
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It is important to do this because we can count on so few people to go that hard way with us.
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It is the lesbian in us who is creative, for the dutiful daughter of the fathers in us is only a hack.
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War is an absolute failure of imagination, scientific and political.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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And that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
ADRIENNE RICH -
Go back so far there is another language go back far enough the language is no longer personal.
ADRIENNE RICH -
I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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It is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
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What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
ADRIENNE RICH -
The unconscious wants truth. It ceases to speak to those who want something else more than truth.
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My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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Until we know the assumptions in which we are drenched, we cannot know ourselves.
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Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
ADRIENNE RICH -
I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
ADRIENNE RICH -
Art means nothing if it simply decorates the dinner table of power which holds it hostage.
ADRIENNE RICH -
White hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
ADRIENNE RICH -
One does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
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It is part of our refusal of the self-destructiveness of male-dominated society.
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The beauty of darkness is how it lets you see.
ADRIENNE RICH -
False history gets made all day, any day, the truth of the new is never on the news.
ADRIENNE RICH -
If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
ADRIENNE RICH