Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
ADRIENNE RICHWe have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
More Adrienne Rich Quotes
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I began to feel heard in that movement. But it was because my voice was resonating with other voices.
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Can you remember? when we thought the poets taught how to live?
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
ADRIENNE RICH -
We have lived with violence far too long.
ADRIENNE RICH -
In a society where some people are far more educated than others, in which public education is ill-funded – here I am speaking of the U.S. – while we build more and more prisons to incarcerate youth who ought to be in school.
ADRIENNE RICH -
In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH -
An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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A language is a map of our failures.
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
ADRIENNE RICH -
There is no simple formula for the relationship of art to justice…In the end, I don’t think we can separate art from overall human dignity and hope. My concern for my country is inextricable from my concerns as an artist.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
ADRIENNE RICH