The moment of change is the only poem.
ADRIENNE RICHIn this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
More Adrienne Rich Quotes
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There is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien – and very often they believe themselves superior.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives.
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I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.
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Passion for survival is the great theme of women’s poetry.
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I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
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As a society in turmoil, we are going to see more, and more various, attempts to simulate order through repression; and art is a historical target for such efforts.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
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They can rule the world while they can persuade us our pain belongs in some order is death by famine worse than death by suicide, than a life of famine and suicide…?
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The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child
ADRIENNE RICH






