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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.

Adrienne Rich

The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
ADRIENNE RICH

Casual Daily Danger Flow Forgetting Generation Grandchildren Jogged Life Lying Memories Storytelling Trick
The more I live, the more I think, two people together is a miracle.
ADRIENNE RICH

Miracle More People Thinking Together Two
I don’t think we can separate art from overall human dignity and hope.
ADRIENNE RICH

Art Dignity Hope Overall Thinking
Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
ADRIENNE RICH

Beauty Invisible Made Outlawed Possible Remind Represented Seem Separation Show
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
ADRIENNE RICH

Fermenting Intellectual Interest Kind Moral People Poetry Political Sensual Sexual Together
I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICH

Along Creativity Darkness Entered Experience Given Happiness Life Poetry Repeatedly Use
If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
ADRIENNE RICH

Again Delta Direction Flow Grasp One River Springing Story Thinking
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
ADRIENNE RICH

Bridges Especially Interested Line Long Poem Scoring Space Thinking
We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation.
ADRIENNE RICH

Control Greed Little May Poem Power Technological
An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
ADRIENNE RICH

Delicate Honorable Human Love People Process Relationship Self Truth Two Violent
I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.
ADRIENNE RICH

Collective Know Liberation Movement Say Speak Thought
The difficulty of saying I-a phrase from the East German novelist Christa Wolf. But once having said it, as we realize the necessity to go further, isn’t there a difficulty of saying ‘we’? You cannot speak for me.
ADRIENNE RICH

Country Difficulty Further Movement Novelist People Phrases Realize Two Wolf
No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.
ADRIENNE RICH

Exercise Goes History Learning Music Natural Simple Study Told
To work and suffer is to be at home. All else is scenery.
ADRIENNE RICH

Home Scenery Suffer Suffering
The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
ADRIENNE RICH

Connection Feminist Force Inspirational Motivational Planet Problem Transforming Women
When one woman tells her truth, it makes a space for other women to tell their truths.
ADRIENNE RICH

Healing Making One Space Tell Truth Woman

I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.

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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.

Related Topics

Popular Authors

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