Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you; it means learning to respect and use your own brains and instincts; hence, grappling with hard work.
ADRIENNE RICHDespair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
More Adrienne Rich Quotes
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
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They can rule the world while they can persuade us our pain belongs in some order is death by famine worse than death by suicide, than a life of famine and suicide…?
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
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The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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The moment when a feeling enters the body/ is political. This touch is political
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Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
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That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
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We can count on so few people to go that hard way with us.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
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Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others.
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A book of poems doesn’t just come out by chance, an editor has to select it, a publisher has to distribute it or you will never see it.
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It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
ADRIENNE RICH






