I’ve had to guess at her, sewing her skin together as I sew mine, though with a different stitch
ADRIENNE RICHDespair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
More Adrienne Rich Quotes
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Women’s art, though created in solitude, wells up out of community.
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I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
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No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.
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We assume that politicians are without honor. We read their statements trying to crack the code. The scandals of their politics: not so much that men in high places lie, only that they do so with such indifference.
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It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity.
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I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women’s movement is saying that we have come to an edge of history.
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Some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand–a center of gravity.
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Grief held back from the lips wears at the heart; the drop that refused to join the river dried up in the dust.
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Women’s Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
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The liar leads an existence of unutterable loneliness.
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When someone with the authority of a teacher describes the world and you’re not in it, there’s a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing.
ADRIENNE RICH