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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.

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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
ADRIAN TOMINE

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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
ADRIAN TOMINE

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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
ADRIAN TOMINE

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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
ADRIAN TOMINE

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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
ADRIAN TOMINE

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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
ADRIAN TOMINE

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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
ADRIAN TOMINE

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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
ADRIAN TOMINE

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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
ADRIAN TOMINE

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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
ADRIAN TOMINE

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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
ADRIAN TOMINE

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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
ADRIAN TOMINE

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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
ADRIAN TOMINE

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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
ADRIAN TOMINE

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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
ADRIAN TOMINE

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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
ADRIAN TOMINE

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