I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
ADRIAN TOMINEI started publishing my comic while I was still living with my parents.
More Adrian Tomine Quotes
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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Look, there’s no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I never go home and take out those business cards and go to those websites.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
ADRIAN TOMINE