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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.

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The experience of reading a comic should not be the time it takes to turn each page.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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You start to feel very weighted down sometimes.
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