“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
ADRIAN TOMINEJust in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
More Adrian Tomine Quotes
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
ADRIAN TOMINE