I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
ADRIAN TOMINEI sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
More Adrian Tomine Quotes
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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You start to feel very weighted down sometimes.
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I wanted to avoid doing what I thought people wanted me to do.
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I never go home and take out those business cards and go to those websites.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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I started publishing my comic while I was still living with my parents.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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