And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
ADRIAN TOMINEI think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
More Adrian Tomine Quotes
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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The experience of reading a comic should not be the time it takes to turn each page.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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I wanted to avoid doing what I thought people wanted me to do.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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I never go home and take out those business cards and go to those websites.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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You start to feel very weighted down sometimes.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
ADRIAN TOMINE