Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
ADRIAN TOMINEI think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
More Adrian Tomine Quotes
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
ADRIAN TOMINE