The same way you can hear a song in your head even if there isn’t a radio playing; the same way you can hear those blackbirds flying when they’re not in the sky
I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play
I feel that I’d rather know an actors’ work, or have an instinct about them and sit down and have coffee with them, or I’ll see them in something and I’ll see if I can get along with them in some way, shape, or form.
