My life has been in shambles, like my personal relationships, my laundry, paying bills now I have someone who pays my bills and it’s always been a challenge because it overwhelms me.
ADAM RAPPMy work is always more emotional than I am.
More Adam Rapp Quotes
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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My work is always more emotional than I am.
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I feel that I’d rather know an actors’ work, or have an instinct about them and sit down and have coffee with them, or I’ll see them in something and I’ll see if I can get along with them in some way, shape, or form.
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I don’t like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it’s a lie already at work.
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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There’s only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky.
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You don’t really develop feelings about a place till you’ve left it. It’s like a girl or a dog.
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I don’t like it when it’s consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature.
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I find that more and more I’m trying to entertain myself when I’m working, because I know the work’s going to go to a horrible place.
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I’ve never really felt that I’ve had the right hair cut, or had the right clothes.
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I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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I just love working with actors, and I love working with writers, working with designers.
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Sometimes when I’m directing, the stage manager will have a good idea and that’s okay with me.
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I’m pretty obsessive-compulsive and I’m very fast.
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In Chekhov, when people leave, a carriage is taking them away forever.
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I try not to write more than two or three, I try to just write one if possible
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I know that something inevitable will happen.
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When I’m directing, I’m pretty much not writing, but when I’m not directing I am writing a lot.
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Ice congeals in the stomach. Frost spiderwebs in the lungs.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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The same way you can hear a song in your head even if there isn’t a radio playing; the same way you can hear those blackbirds flying when they’re not in the sky
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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows; but I feel like a New Yorker now, I’ve lived here for sixteen years.
ADAM RAPP