I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
ADAM RAPPYou want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
More Adam Rapp Quotes
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In Chekhov, when people leave, a carriage is taking them away forever.
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I’ve lost lots of relationships because of my having to ignore everything.
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What I’ve learned in the last few years is that I am merely a storyteller.
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I’m pretty obsessive-compulsive and I’m very fast.
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You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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Whenever I’ve been in rehearsals, it’s really fun, there’s always laughing.
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My work is always more emotional than I am.
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I think because my brother was an actor and I just saw how he struggled through, I guess I’m sensitive to it.
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I’ve never really felt that I’ve had the right hair cut, or had the right clothes.
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When it’s just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.
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A typical day for me is I’m writing when I’m not directing.
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I’ve been living in Portland for five months and I’m not sure how I feel about it. I probably won’t really know for years because that’s how it works right?
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You have to escape to survive, as you must survive to escape.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.
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Obviously the power of the Times is discouraging. It’s killing new plays, demolishing one after another.
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Ice congeals in the stomach. Frost spiderwebs in the lungs.
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Mary’s house smelled like lemon furniture polish and oatmeal cookies and logs in a fireplace.
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I appreciate good criticism and I think it’s really important.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play
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When I am directing, it is much, much, much, much, much different. I’m a much more practical person in the world,
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I’ve never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
ADAM RAPP