It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
ADA LOUISE HUXTABLEWhat counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
More Ada Louise Huxtable Quotes
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Every generation tailors history to its taste.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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The skyscraper is the point where art and the city meet.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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