Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLEWho’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
More Ada Louise Huxtable Quotes
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Surrogate experience and surrogate environments have become the American way of life.
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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The New York Hilton is laid out with a competence that would make a computer blush.
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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New York, thy name is irreverence and hyperbole. And grandeur.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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Clutter in its highest and most organized form is called collecting.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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