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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.

Ada Louise Huxtable

Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
ADA LOUISE HUXTABLE

Art Civilization Draw Magnetic Physical Strong
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLE

Art Cities Concentrated Country Scale Sunlight Superskyscrap
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLE

Design Establishes Heart Hope Passion Quest
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Chunk Consume Decoration People Special Waiting
Surrogate experience and surrogate environments have become the American way of life.
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Friendly Real Way
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
ADA LOUISE HUXTABLE

Dubious Excellent Job Saying Would
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
ADA LOUISE HUXTABLE

Agency Conventional Later Practice Self Sooner Stronghold
the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Goes Skyscraper Style Unbearable Urban
Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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Deemed Distinction False Longer Necessary Real Unbearable
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Art Cutting Grind History Purpose
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
ADA LOUISE HUXTABLE

Consistency Everything Paris Structure Style
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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Age Building Cities Dream Landmark Past Tall
That turns the Jersey wasteland into a pretty classy dump.
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Class Jersey Pretty Turn Wasteland
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Age Aged Explore Library Memorial Over Presential Presidential Read
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy

Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.

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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.

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