It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLEWho’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
More Ada Louise Huxtable Quotes
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Surrogate experience and surrogate environments have become the American way of life.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
ADA LOUISE HUXTABLE