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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.

Ada Louise Huxtable

Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
ADA LOUISE HUXTABLE

More Obsolete Railroad System Today
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
ADA LOUISE HUXTABLE

Art Demeaning Deprived Feeling Reduce Self
The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
ADA LOUISE HUXTABLE

Aim Art Decoration Require Self Skill Sophisticated
It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
ADA LOUISE HUXTABLE

Delight Dimension Extra Important Sense Wonder
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
ADA LOUISE HUXTABLE

Age Aged Explore Library Memorial Over Presential Presidential Read
That turns the Jersey wasteland into a pretty classy dump.
ADA LOUISE HUXTABLE

Class Jersey Pretty Turn Wasteland
Real estate is the closest thing to the proverbial pot of gold.
ADA LOUISE HUXTABLE

Estate Gold Pot Proverbial Real
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
ADA LOUISE HUXTABLE

Architectural Reel Steel Stone Vocabulary
The skyscraper is the point where art and the city meet.
ADA LOUISE HUXTABLE

Art City Meet Point Skyscraper
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
ADA LOUISE HUXTABLE

Consuming Embellishment Enough Establishing History Human Inability
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
ADA LOUISE HUXTABLE

Common Real Rigor Mortis Room Waiting Wanting
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
ADA LOUISE HUXTABLE

Consistency Everything Paris Structure Style
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLE

Art Cities Concentrated Country Scale Sunlight Superskyscrap
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLE

Age Building Cities Dream Landmark Past Tall
Every generation tailors history to its taste.
ADA LOUISE HUXTABLE

Generation History Tailor Taste

Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.

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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.

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Popular Authors

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