Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLEThe perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
More Ada Louise Huxtable Quotes
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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