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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

Ada Louise Huxtable

If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
ADA LOUISE HUXTABLE

Cal Constant Decoration Nothing Place Process
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
ADA LOUISE HUXTABLE

Chunk Consume Decoration People Special Waiting
the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
ADA LOUISE HUXTABLE

Goes Skyscraper Style Unbearable Urban
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
ADA LOUISE HUXTABLE

Art Civilization Draw Magnetic Physical Strong
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
ADA LOUISE HUXTABLE

Art Demeaning Deprived Feeling Reduce Self
Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
ADA LOUISE HUXTABLE

More Obsolete Railroad System Today
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLE

Afford Architecture City Ultimate Deserve Keep
The New York Hilton is laid out with a competence that would make a computer blush.
ADA LOUISE HUXTABLE

Blush Competence Country Computer Laid
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE

Becoming California Difficult Fake Real Take
There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
ADA LOUISE HUXTABLE

Aesthetic Centuries Developed Proved Violation
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
ADA LOUISE HUXTABLE

Common Real Rigor Mortis Room Waiting Wanting
It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
ADA LOUISE HUXTABLE

Delight Dimension Extra Important Sense Wonder
A disaster where marble has been substituted for imagination.
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Disaster Imagination Marble Substituted
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
ADA LOUISE HUXTABLE

Agency Conventional Later Practice Self Sooner Stronghold
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
ADA LOUISE HUXTABLE

Consistency Everything Paris Structure Style

The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

Related Topics

Popular Authors

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