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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

Ada Louise Huxtable

Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
ADA LOUISE HUXTABLE

Deemed Distinction False Longer Necessary Real Unbearable
Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
ADA LOUISE HUXTABLE

Activity Enforced Hed People Specialist Waiting
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE

Becoming California Difficult Fake Real Take
The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
ADA LOUISE HUXTABLE

Aim Art Decoration Require Self Skill Sophisticated
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLE

Afford Architecture City Ultimate Deserve Keep
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
ADA LOUISE HUXTABLE

Art Cutting Grind History Purpose
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
Real estate is the closest thing to the proverbial pot of gold.
ADA LOUISE HUXTABLE

Estate Gold Pot Proverbial Real
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
ADA LOUISE HUXTABLE

Dubious Excellent Job Saying Would
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLE

Art Cities Concentrated Country Scale Sunlight Superskyscrap
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
ADA LOUISE HUXTABLE

Common Real Rigor Mortis Room Waiting Wanting
New York, thy name is irreverence and hyperbole. And grandeur.
ADA LOUISE HUXTABLE

Country Grandeur Hyperbole Irreverence Name
Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
ADA LOUISE HUXTABLE

Appaling Needlework People Piece Some Truly
In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
ADA LOUISE HUXTABLE

Architect Conflict Essential Little Tension Tragedy
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World

The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

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