“You have respect and reverence for your characters and the fact that you’re going to epitomize that person for the rest of their lives. They’re going to be judged based on your performance by millions of people. You have a certain responsibility.”

It makes me feel good that I can now sit there and go, I’ve worked with Jack Nicholson, Al Pacino, all the great actors that I’ve worked with… Sir Ben Kingsley.

I have a dog and sometimes I’ll be the littlest kid with my dog and marvel at his ears and his nose and how he looks at me. If he died, I’d bawl like a baby.

Right now, I have to admit, that I’m more interested in giving people a little bit of hope and goodness.

Actors aren’t fighters. They don’t know how to throw a punch. So, there’s a lot of hitting in the face. I’d much rather fight with a stuntman than another actor. I don’t like fighting with other actors because somebody always ends up getting hurt.

I’m sort of fascinated by the whole espionage crime thing.

It seems to me if you want something badly enough, whether you’re a man or a woman, you’ll do whatever you have to do to get it.

If we’re talking about masculinity and tenderness, I don’t look at Clinton.

I like doing movies with kids in them, and you’re explaining things. They’re teaching you and you’re teaching them, and the audience can loop through that.

Yeah, I’d like to get the girl and at least make it through the film.

I don’t do comedy so much although I would like to do a comedy.

I always ask, why can’t I be just like Cary Grant or something.

I often feel that my days in New York City, that I was here for five years, didn’t get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

If you go to YouTube and look up ‘grief’ you can find them and it’s just an unbelievable tool for an actor to be able to access, without being unethical. It’s like accessing the deepest, most painful parts of a person.

I think that maybe that’s my weakness, in that I don’t know how to do it, so I just do what I do and try to do it as passionately and as well as I can.

I’d like to do a romantic comedy.

I think they are very important because westerns have a code and a symbolism.

You look at driving down the road, night after night, tryin’ to make a town, getting $25 – that’s hard times. It’s our duty to make it good times for the fans that pay their money to see us perform each and every night.

Running my show is really like an actor being in repertory but where, in one day in one performance, you do scenes from a drama, a farce, a low comedy and a tragedy.

I look at old performance videos now, and it’s really funny – I thought I was such a gangster!

You stand your ground and you perform your art. That’s what the artist does. The artist is about perfection.

My mom and my dad never pushed me into performing. They never prohibited me from trying anything, or being anything. They never restricted me in any way. For which I’ll be forever grateful.

I’m a performer. That’s what I do. That and making money – it’s the passion and the care factor for the people that support your passion, the people that support you, it’s the kind of people that go crazy and love your stuff.

I’ve learned a lot from my mom and my dad. I learn a lot every time I watch Billie perform.

Every time before I go on stage, I’m nervous.