“Even if the song meant a lot to me, I would still probably perform it live.”

I love Nicoletta Ceccoli , and I love Tim Burton movies. So those are like my biggest inspirations I think.

Dollhouse was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families.

I’m very, very in touch with my emotions.

If I don’t see a music video to it while writing it, I just scrap it immediately. It’s very visual.

I also made a lot of really great friends on that show [the Voice], so that’s one of the most important things that I’ve taken out of that experience.

I was genuinely happy when I wrote that song [Training Wheels] and very in love. That’s a very rare emotion to evoke out of me.

It’s very hard to be an artist, on my first album, and I’m like asking for money for a music video for every song – it’s so hard to do. You have to pick your battles for sure, but I definitely want – and I’ve always worked to make it all connect – for all of it to feel cohesive.

And still as an adult like I do as well, you know what I mean like I literally just cried in the first interview that I had today. Like, I’m just a very emotional human.

It’s just weird because like when I was writing Cry Baby I like the only thing that I was thinking about, when writing it, was the concepts and the visuals, and the way that it sounded kind of happened naturally.

I don’t really think about what people think of my music, and how they listen to it or what my demographic is.

Make sure this [music industry] is what you love to do, and you can’t imagine doing anything else.

When I first started writing the album, “Cry Baby” was a song that I really wanted to write because it represented all of these personal insecurities that I had for a long time.

Cry Baby is a character so I think that the next album is going to be about a specific thing in her life or another place in her world. It’s going to be a bit deeper into a bigger picture.

I think, being emotional is this thing that people think you’re not strong. They don’t look at you as a strong person, and it’s weird ‘cuz honestly being emotional has nothing to do with your strength.

I obviously have a different connection to each song in a different way, and they all mean something different to me.

It’s like visual is super important to me. So if I am writing a song, like, I have to have the title.

I love the shows that are in dingy little dark clubs, smoky, no production whatsoever.

I don’t want to be singing Satisfaction when I’m 40.

I signed up to be a musician, I want to perform, I want to sing.

The greatest achievement is to outperform yourself.

Any performer is one person privately and then he’s another person when he steps on the stage.

It’s not my perfect performance that captures God’s attention. It’s my complete dependence on Him that He notices.

The trouble with institutional investors is that their performance is usually measured relative to their peer group and not by an absolute yardstick. This makes them trend followers by definition.

As a matter of fact, wherever I find that law exists, I will not perform in that state or in that part of the world.