“It seems to me if you want something badly enough, whether you’re a man or a woman, you’ll do whatever you have to do to get it.”

Yeah, I’d like to get the girl and at least make it through the film.

I don’t do comedy so much although I would like to do a comedy.

I always ask, why can’t I be just like Cary Grant or something.

I often feel that my days in New York City, that I was here for five years, didn’t get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

If you go to YouTube and look up ‘grief’ you can find them and it’s just an unbelievable tool for an actor to be able to access, without being unethical. It’s like accessing the deepest, most painful parts of a person.

I think that maybe that’s my weakness, in that I don’t know how to do it, so I just do what I do and try to do it as passionately and as well as I can.

I’d like to do a romantic comedy.

I think they are very important because westerns have a code and a symbolism.

There are different reasons to make movies.

I would love to get great performances from actors as a director, because that’s what I’m always looking for, a director that’s going to help me go places I’ve never been before.

You can go left, you can go right, I don’t give a damn. Just make a decision.

You have respect and reverence for your characters and the fact that you’re going to epitomize that person for the rest of their lives. They’re going to be judged based on your performance by millions of people. You have a certain responsibility.

I think women can be as cruel as men, and men as tender as women, and vice versa.

I can think of films that I’m producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.

Filmmaking is a difficult process. There are the logistics of making a film. You have to do your part, and then change the entire thing around to do someone else’s part. A lot of the magic is lost, in between that, and you have to figure out how to get it back.

I owned a 1972 Plymouth Valiant that we bought for $125. It was infested with cockroaches and geckos – it was its own little ecosystem.