“I have a dog and sometimes I’ll be the littlest kid with my dog and marvel at his ears and his nose and how he looks at me. If he died, I’d bawl like a baby.”

A true measure of strength is to use your hands to incapacitate somebody.

I mean, the problem is, I think I’m a great writer.

Through all the relationship stuff I’ve gone through in the past few years, I know there are fundamental differences in how men and women view sex and how they view their futures.

I would like to direct.

Funerals are important rituals. They don’t just recognize that a life has ended; they recognize that a life was lived.

Some movies I see today have the most dramatic plot points but the actors are not playing them dramatically.

The F.B.I. is about nuts and bolts. It’s all about witnesses and procedure and walking the streets.

You either die a hero or live long enough to become the villain.

It makes me feel good that I can now sit there and go, I’ve worked with Jack Nicholson, Al Pacino, all the great actors that I’ve worked with… Sir Ben Kingsley.

Right now, I have to admit, that I’m more interested in giving people a little bit of hope and goodness.

Actors aren’t fighters. They don’t know how to throw a punch. So, there’s a lot of hitting in the face. I’d much rather fight with a stuntman than another actor. I don’t like fighting with other actors because somebody always ends up getting hurt.

I’m sort of fascinated by the whole espionage crime thing.

It seems to me if you want something badly enough, whether you’re a man or a woman, you’ll do whatever you have to do to get it.

If we’re talking about masculinity and tenderness, I don’t look at Clinton.

I like doing movies with kids in them, and you’re explaining things. They’re teaching you and you’re teaching them, and the audience can loop through that.

Yeah, I’d like to get the girl and at least make it through the film.