I stare into a thin, web-like crack above the urinal’s handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone.
BRET EASTON ELLISHe was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
More Bret Easton Ellis Quotes
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My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS -
Devastates me and I make a mental note to ask him where he purchases his hair-care products, which kind of mousse he uses, my final guesses after mulling over the possibilities being Ten-X.
BRET EASTON ELLIS -
Hip,” I murmur, remembering last night, how I lost it completely in a stall at Nell’s—my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons, foaming at the mouth and running at pigeons.
BRET EASTON ELLIS -
How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
BRET EASTON ELLIS -
I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
BRET EASTON ELLIS -
I don’t know why I write what I write.
BRET EASTON ELLIS -
Is evil something you are? Or is it something you do?
BRET EASTON ELLIS -
I feel like I’m not smart enough to answer the questions I’m asked.
BRET EASTON ELLIS -
You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
BRET EASTON ELLIS -
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLIS -
…if you’re alone nothing bad can happen to you.
BRET EASTON ELLIS -
With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLIS -
There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
BRET EASTON ELLIS -
That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS -
I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say “I love you I love you I love you” while stripping. I want you so bad it stings.
BRET EASTON ELLIS -
You learn to move on without the people you love.
BRET EASTON ELLIS -
I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
BRET EASTON ELLIS -
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS -
It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
BRET EASTON ELLIS -
Women aren’t very bright,” Rip says. “Studies have been done.
BRET EASTON ELLIS -
It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
BRET EASTON ELLIS -
I think we’ve all lost some kind of feeling.
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS -
When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS -
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLIS