On the seals’ tank a plaque warns: COINS CAN KILL–IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL’S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL.
BRET EASTON ELLISExploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
More Bret Easton Ellis Quotes
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
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My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
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…if you’re alone nothing bad can happen to you.
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I don’t really need to pretend, because it’s who I am, an emotional vampire. I’ve just come to expect it. Vampires are real. That I was born this way. That I feed off of other people’s real emotions. Search for this night’s prey. Who will it be?
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Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
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We buy balloons, we let them go.
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I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
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Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
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When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
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There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
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I don’t know why I write what I write.
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Rock ‘n’ roll. Deal with it.
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He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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There’s no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me.
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
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The Smiths are singing and someone says “Turn that gay angst music off.
BRET EASTON ELLIS -
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
BRET EASTON ELLIS -
My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS -
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS -
You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
BRET EASTON ELLIS -
Look how black the sky is, the writer said. I made it that way.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS