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Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.

Brian Eno

When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
BRIAN ENO

Country Weight Years
The handbook always tells you what it does, and you can be quite sure that if it’s a complex device it can do at least fifteen other things that weren’t predicted in the handbook, or that they didn’t consider desirable. It’s normally those other things that interest me.
BRIAN ENO

Device Easiest Handbook Predicted Things
So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
BRIAN ENO

Departments Graphical People Pleased
But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
BRIAN ENO

Criped People See Undo Unless
For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
BRIAN ENO

Combination Form Kind Magic
When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
BRIAN ENO

Fine Thinking Titles
What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
BRIAN ENO

Appropriate Language Notation
Everything good proceeds from enthusiasm.
BRIAN ENO

Enthusiasm Everything Good
Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
BRIAN ENO

Anything End never Outsider Something Think
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENO

People Song Track
My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
BRIAN ENO

Peculiar Process Writing
I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
BRIAN ENO

Away Pulled Quite Wanted
In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
BRIAN ENO

Country Hip Hop House Person
Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
BRIAN ENO

Enough Position Relation Someone Use
A part of me has become immortal, out of my control.
BRIAN ENO

Become Control Immortal Part
I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
BRIAN ENO

Play Running Years

Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.

Related Topics

Popular Authors

Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.

Related Topics

Popular Authors

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