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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.

Bret Easton Ellis

She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS

Evil Hands Ignorance
But this road doesn’t go anywhere,” I told him. “That doesn’t matter.” “What does?” I asked, after a little while. “Just that we’re on it, dude,” he said.
BRET EASTON ELLIS

Anywhere Littles Matter
I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS

Director Issues Writing
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLIS

Female Males Medium Reason Thinking
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS

Completely Demented Misogynist
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLIS

Book Thinking Writing
I think we’ve all lost some kind of feeling.
BRET EASTON ELLIS

Feelings Kind Thinking
A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire.
BRET EASTON ELLIS

Go Letting Past Real
I don’t really need to pretend, because it’s who I am, an emotional vampire. I’ve just come to expect it. Vampires are real. That I was born this way. That I feed off of other people’s real emotions. Search for this night’s prey. Who will it be?
BRET EASTON ELLIS

Emotional Except Motion People Real Vampire
You learn to move on without the people you love.
BRET EASTON ELLIS

Learn Love Moving People
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS

Elevator Father Passing Second
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS

Men Moving Odds
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
BRET EASTON ELLIS

Ask Mice One Part Right Swallow Treat
People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS

Agreement Eerie Sight
I don’t want to care. If I care about things, it’ll just be worse, it’ll just be another thing to worry about. It’s less painful if I don’t care.
BRET EASTON ELLIS

Care Want Worry
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS

Assumptions Despite Everywhere Locked Permeated

At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.

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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.

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