Not many people bought Velvet Underground LPs, but those who did, started a band.
BRIAN ENOIf I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
More Brian Eno Quotes
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
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The most important thing is the thing most easily forgotten.
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The artists of the past who impressed me were the ones who really focused their work.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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Be the first to not do what nobody has ever thought of not doing before.
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All the best lyrics are written in ten minutes.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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Culture is everything you don’t have to do.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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Try to make things that can become better in other people’s minds than they were in yours.
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Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
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Ambient music is intended to induce calm and a space to think.
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Think inside the work – outside the work
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The problem with computers is that there is not enough Africa in them.
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Being completely free to choose what to do is actually quite difficult
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