I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENOIf I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
More Brian Eno Quotes
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
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When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
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I suppose I am reluctant about being any sort of ‘star’ and I didn’t particularly want to be portrayed as one.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature… The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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Composition is a way of living out your philosophy and calling it art.
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I despise computers in many ways. I think they’re hopelessly underevolved and overrated.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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Lyrics are the only thing to do with music that haven’t been made easier technically.
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I believe in singing.
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I often work by avoidance.
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
BRIAN ENO






