One often makes music to supplement one’s world.
BRIAN ENOIn terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
More Brian Eno Quotes
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
BRIAN ENO -
Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
BRIAN ENO -
I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
BRIAN ENO -
I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
BRIAN ENO -
The artists of the past who impressed me were the ones who really focused their work.
BRIAN ENO -
I belong to a gospel choir. They know I am an atheist but they are very tolerant.
BRIAN ENO -
The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
BRIAN ENO -
As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
BRIAN ENO -
Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
BRIAN ENO -
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENO -
I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
BRIAN ENO -
We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
BRIAN ENO -
Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
BRIAN ENO -
I wanted to use the studio like a microscope for sound, which is what good engineers do.
BRIAN ENO