It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
BRIAN ENOWhatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature… The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
More Brian Eno Quotes
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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Culture is everything you don’t have to do.
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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don’t fit in a very interesting way.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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Saying that cultural objects have value is like saying that telephones have conversations.
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For the world to be interesting, you have to be manipulating it all the time.
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American television really is pathetic.
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I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
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Emotion creates reality, reality demands action.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
BRIAN ENO






