I’m very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
BONNIE JO CAMPBELLI like living near my family, and near the people I understand the best. The landscape of Michigan speaks to me, and the humility and humor of the people here makes sense. It just feels right to live here, in a place where I don’t dare put on airs.
More Bonnie Jo Campbell Quotes
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I think by writing about a place with great specificity, you manage to make it universal.
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My donkeys are Jack and Don Quixote. They’re very smart, very cautious. Much of what people consider stubbornness in donkeys is actually cautiousness.
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I was just about to earn my Master’s along the way, but I knew something was wrong because I found myself crying all the time.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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Where I live you’re not supposed to shoot a firearm within a quarter mile of a dwelling.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
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As a writer, I can live somewhat independently, occupying nooks and crannies and finding meaning there. I can even live in my mind a good portion of most days.
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For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
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The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it’s nice to be wanted as a writer.
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So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
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The great thing about fiction is that I don’t have to settle on an answer to any troubling question, or even a solution.
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Eighty percent of all novels are bought by women, or so I’ve heard.
BONNIE JO CAMPBELL