I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
BRIAN ENOI occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
More Brian Eno Quotes
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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It’s actually very easy for democracy to disappear.
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Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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A part of me has become immortal, out of my control.
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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American television really is pathetic.
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I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
BRIAN ENO