Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
BRIAN ENOI suppose I am reluctant about being any sort of ‘star’ and I didn’t particularly want to be portrayed as one.
More Brian Eno Quotes
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
BRIAN ENO -
The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
BRIAN ENO -
For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
BRIAN ENO -
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENO -
I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
BRIAN ENO -
Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
BRIAN ENO -
I wanted to get rid of the element that had been considered essential in pop music: the voice.
BRIAN ENO -
In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
BRIAN ENO -
One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENO -
When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO -
I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
BRIAN ENO -
I often work by avoidance.
BRIAN ENO -
If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
BRIAN ENO -
I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
BRIAN ENO -
Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
BRIAN ENO