The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENOI always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
More Brian Eno Quotes
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Everybody is entertained to death.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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If something is good, you must torture it mercilessly until it is either dead or great.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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I’m very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
BRIAN ENO