The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
BRIAN ENOIf something is good, you must torture it mercilessly until it is either dead or great.
More Brian Eno Quotes
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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The most important thing is the thing most easily forgotten.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
BRIAN ENO -
The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO -
I wanted to use the studio like a microscope for sound, which is what good engineers do.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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Most game music is based on loops effectively.
BRIAN ENO -
I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
BRIAN ENO -
Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
BRIAN ENO







