I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
BRIAN ENOI thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
More Brian Eno Quotes
-
-
The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
BRIAN ENO -
The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
BRIAN ENO -
My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
BRIAN ENO -
If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
BRIAN ENO -
The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
BRIAN ENO -
Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
BRIAN ENO -
I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
BRIAN ENO -
Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
BRIAN ENO -
When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
BRIAN ENO -
One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENO -
Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
BRIAN ENO -
I believe in singing.
BRIAN ENO -
I belong to a gospel choir. They know I am an atheist but they are very tolerant.
BRIAN ENO -
In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENO -
If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
BRIAN ENO







