“I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.”

The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.

When I started I would have called myself an artist but the discipline I chose in art was music and text.

I’m pro-life, in the sense that chaos seems like life to me and order seems like death.

Drugs and drinking affect every family I know, country and city, middle-class and poor.

It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.

Being five-foot-ten at fourteen years old was a little bit scary.

It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.

For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.

I enjoy shooting. Around where I live, it’s something you do for entertainment once in a while, you go out and shoot targets.

I think it gets uncomfortable when you try to act like you didn’t just tell a joke that bombed.

So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.

I think by writing about a place with great specificity, you manage to make it universal.

In a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.

I always felt a weird obligation to be adventurous.

That was a mistake, I guess, going out to California. They have these things called guidance counselors in high school. They drink a lot of herbal tea.

We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.

It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.

Our job is to understand where the market is heading and translate that into practical action.

How many people disapprove of the job the Conservatives are doing? Seventy percent. Of those same people, how many will vote for them again? …Seventy percent. What the fuck? Where did they take this poll, at an S&M parlor?

If you were designing an organism to look after life in our lonely cosmos, to monitor where it is going and keep a record of where it has been, you wouldn’t choose human beings for the job.

Don’t speculate unless you can make it a full time job.

Making a success of the job at hand is the best step toward the kind you want.

Don’t worry about trying to do a perfect job. There is no perfect job. There is no one way of raising your children.

You get the job done or you don’t.