“But once I saw them [Jackson 5 during audition], I rushed out with my video camera to start taping them because I knew that they were something so special, mainly because of the lead singer, nine-year-old Michael Jackson. And it was just so obvious to me that he was a star.”

The whole purpose of writing a book is to be understood – if other people write about you, they try to guess why you did things, or they hear things from other people.

All artists have runners, people that tell them what to do, business managers, lawyers, these – if they get the right ones, they’re lucky, and if they get the wrong ones, they’re unlucky.

Michael Jackson was not an artist who comes along once in a decade, a generation, or a lifetime. He was an artist who comes along only once, period… He raised the bar and then BROKE the bar!

I have this ability to find this hidden talent in people that sometimes even they didn’t know they had.

Motown was about music for all people – white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.

The world has to change to fit you. And if you stick to your principles, values and morals long enough, it will.

His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.

Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car.

I didn’t want to be a big record mogul and all that stuff. I just wanted to write songs and make people laugh.

What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.

Money had never been the main thing for me. It’s the legacy that was important.

I’m a songwriter, that’s what I love.

Don’t judge yourself by others’ standards…have your own. And don’t get caught up into the trap of changing yourself to fit the world.

Today’s business climate is not for me.

I’ve discovered that Motown and Broadway have a lot in common – a family of wonderfully talented, passionate, hardworking young people, fiercely competitive but also full of love and appreciation for the work, for each other and for the people in the audience.

Cameras aren’t guns. They can’t really hurt you.

I started in a research lab for TV cameras, then I worked at a tape duplication facility.

The one hour live debate in the West Wing that we did was one of the most exciting times for me on stage or on camera, because anything could go wrong.

I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, ‘Cut!’

Every photograph is a certificate of presence.

When you’re acting for a camera, it keeps taking and never giving back.

The camera can film my face but until it captures my soul, you don’t have a movie.

Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.