“I started in a research lab for TV cameras, then I worked at a tape duplication facility.”

I try to find a way that the other guy hasn’t thought of using a sound or a sample.

The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered.

Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.

Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!

That Beatle euphoria has always been there, and it’s hard to be in a room with a Beatle and try to be totally natural. You never shake that off.

Audiophiles don’t use their equipment to listen to your music.

I’m delighted about the track’s success in the sports world, but the frustrating thing is,

In France, you can sell a lot, but nobody outside of France ever hears of it.

Audiophiles use your music to listen to their equipment.

I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines.

In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates.

I don’t think I got rich on it. The labels and publishers did very cheap deals on our songs.

There is a certain grandeur.

We realized that, Oh my God, we’re actually playing in THE Kremlin!.

The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.

That was the first introduction for me to recorded music and hi-fi.

I am not as intelligent as Aamir Khan . I am barely managing to be in front of the camera. There are many people who know marketing well and surely Aamir knows much more than I do.

My co-stars call me selfish. They say you are only interested in yourself and what you are only interested is yourself and what you are doing in front of the camera. I reply, I can’t help it; it’s what got me where I am.

A film is never really good unless the camera is an eye in the head of a poet.

I started modelling while still studying. I liked doing television commercials and being in front of the camera. Lots of ad directors told me to try for films.

I feel that modelling has groomed my personality and made me a confident person, but even today, when I go on the ramp, I get nervous. I am more comfortable being in front of the camera than walking on the ramp.

I’m always that annoying person that pulls out the camera in the middle of dinner and starts taking candids.

It is the photographer, not the camera, that is the instrument.

The camera cannot, but the photographer can.