“Today’s business climate is not for me.”

But once I saw them [Jackson 5 during audition], I rushed out with my video camera to start taping them because I knew that they were something so special, mainly because of the lead singer, nine-year-old Michael Jackson. And it was just so obvious to me that he was a star.

The whole purpose of writing a book is to be understood – if other people write about you, they try to guess why you did things, or they hear things from other people.

All artists have runners, people that tell them what to do, business managers, lawyers, these – if they get the right ones, they’re lucky, and if they get the wrong ones, they’re unlucky.

Michael Jackson was not an artist who comes along once in a decade, a generation, or a lifetime. He was an artist who comes along only once, period… He raised the bar and then BROKE the bar!

I have this ability to find this hidden talent in people that sometimes even they didn’t know they had.

Motown was about music for all people – white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.

The world has to change to fit you. And if you stick to your principles, values and morals long enough, it will.

His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.

Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car.

I didn’t want to be a big record mogul and all that stuff. I just wanted to write songs and make people laugh.

What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.

Money had never been the main thing for me. It’s the legacy that was important.

I’m a songwriter, that’s what I love.

Don’t judge yourself by others’ standards…have your own. And don’t get caught up into the trap of changing yourself to fit the world.

I’ve discovered that Motown and Broadway have a lot in common – a family of wonderfully talented, passionate, hardworking young people, fiercely competitive but also full of love and appreciation for the work, for each other and for the people in the audience.

At a time when U.S. jobs are heading overseas at a record pace, and amidst increased sanctions on our manufacturers and producers from other countries, it’s imperative that we do all we can to provide our businesses a climate to operate successfully.

I’m guessing the most efficient way would be to transfer an awful lot of technology, but also direct aid to deal with climate emergencies already underway. Hillary [Clinton] has already said $100 billion a year would be appropriate.

In the States we’ve had by far the largest demonstrations in the last few years. The largest civil disobedience actions about anything in US history in the last 30 years have all been centred around the climate.

You can’t compare eras. But drivers of each era adapt to the needs and climate of their time. There are good and bad points to every era of the sport. I’m not really nostalgic about the past.

We have a policy at Greenpeace that we no longer debate people who don’t accept the scientific reality of anthropogenic climate change.

Despite this, funding from rich countries to help the poor and vulnerable adapt to climate change is not even 1 percent of what is needed.

In the current socio-political climate, he said to himself, committing suicide is absurd and redundant. Better to become an undercover poet.

I think we’re in a global crisis of unprecedented scale, with global warming and climate change, and we don’t have the solution using any of the separated structures that are attempting to solve these issues, whether it be the United Nations, or the global corporations.