If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALISIt’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
More Branford Marsalis Quotes
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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I’m not going to play funk licks on a jazz album. That makes no sense.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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My job is to write songs that have emotional meaning to me.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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