Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
BOCAFLOJAMTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
More Bocafloja Quotes
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European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn’t, doesn’t, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country.
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I believe the example of the Zapatistas is a very relevant historical example.
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This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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I believe that also it should be stressed and made clear that our antagonistic position is not to say “I don’t like whites” for the simple fact of not liking white people.
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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Power, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can’t grow further in the barrio.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
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It’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
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And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren’t.
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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