I believe the example of the Zapatistas is a very relevant historical example.
BOCAFLOJAWhat is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence.
More Bocafloja Quotes
-
-
So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
BOCAFLOJA -
I believe that also it should be stressed and made clear that our antagonistic position is not to say “I don’t like whites” for the simple fact of not liking white people.
BOCAFLOJA -
And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren’t.
BOCAFLOJA -
A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
BOCAFLOJA -
I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
BOCAFLOJA -
I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
BOCAFLOJA -
We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily.
BOCAFLOJA -
This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
BOCAFLOJA -
I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
BOCAFLOJA -
A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
BOCAFLOJA -
I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
BOCAFLOJA -
MTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
BOCAFLOJA -
If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn’t, doesn’t, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.
BOCAFLOJA -
In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
BOCAFLOJA -
What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence.
BOCAFLOJA -
I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
BOCAFLOJA -
They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
BOCAFLOJA -
I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
BOCAFLOJA -
Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
BOCAFLOJA -
The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
BOCAFLOJA -
The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country.
BOCAFLOJA -
Power, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can’t grow further in the barrio.
BOCAFLOJA -
They have to add up all those processes and articulate those privileges to try to equalize the historical process.
BOCAFLOJA -
I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
BOCAFLOJA -
The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
BOCAFLOJA -
Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
BOCAFLOJA